The BoomTown Rats

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All six members were originally from DĂșn Laoghaire, Ireland. Formed under the name "The Nightlife Thugs," the group agreed on the name change to the "Boomtown Rats" after a gang that Geldof read about in Woody Guthrie's autobiography, Bound for Glory. They became a notable band, but one whose accomplishments were overshadowed by the charity work of frontman Bob Geldof, a former journalist with the NME magazine.

The group moved to London in October 1976, and became associated with the punk rock movement. Signing a recording contract with Ensign Records, they released their debut single, "Lookin' After No. 1", in August 1977.[2] It was the first of nine straight singles to make the Top 40 in the UK Singles Chart.[2][4] Their debut album, The Boomtown Rats, was released in September 1977, on Ensign in the UK and on Mercury Records in the United States, and featured another single, "Mary of the 4th Form". Music journalist Martin C. Strong commented, "Geldof's moody charisma helped to give the band a distinct identity".

The second album, A Tonic for the Troops, appeared in June 1978 in the UK. It featured three hit singles, "Like Clockwork", "She's So Modern" and "Rat Trap". A Tonic for the Troops was released in the U.S. on Columbia in February 1979, with two tracks from The Boomtown Rats substituted for tracks on the UK version. Mutt Lange produced."Rat Trap", which became the first rock song by an Irish band to reach #1 in the UK, and the first of any description by an Irish band to top the official chart used by the BBC. (The Bachelors had topped the Record Retailer chart in 1964 with "Diane", but only reached #2 on the UK Singles Chart). In addition, "Rat Trap" was also the first new wave song to claim the number one spot.

In 1979, "I Don't Like Mondays", was released.This was written in response to a school shooting in California carried out by Brenda Ann Spencer, and also reached #1 in the UK. It was a worldwide hit, with the exception being the United States.[6] Fears of lawsuits and charges of bad taste kept radio stations there from playing the record. The unofficial boycott was front page news in Variety Magazine, the only time the Boomtown Rats earned such prominent coverage. It was included in The Fine Art of Surfacing, the band's third album, and subsequently became the band's only U.S. Billboard Hot 100 entry. The album also contained "Diamond Smiles" and their next Top 10 hit in the UK, "Someone's Looking at You". Geldof and Fingers became the visual and musical focus of the group: Geldof with his articulate, caustic wit - which made him the delight of television talk show presenters and the bitter enemy of music journalists - and Fingers with the striped pyjamas he wore onstage.

In 1980 "Banana Republic" was released, which was their last Top 10 hit, and in the following year the Boomtown Rats' next studio album Mondo Bongo was issued."Banana Republic" savaged their native Ireland, the "septic isle screaming in the suffering sea".

Cited: Wikipedia

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